Taj Weekes & Adowa


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About

Taj Weekes & Adowa unite a true social consciousness with an unforgettable Reggae groove. Blending in elements of acoustic roots rock and afro-folk simplicity, the band’s vibrant sound defies genre and has garnered critical acclaim and a wide audience across the globe. With band members coming from all over the ...

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Contact

Publicist
Ryan Dawes
317-373-0921

Current News

  • 11/12/201410/28/2014

Taj Weekes: Here I Stand for Love

Love, love, love. It really is all you need. That’s what Taj Weekes believes. And love doesn’t know boundaries. It’s the heartbeat of life. It doesn’t matter who you love, just as long as you do love. That’s the message behind “Here I Stand” the first single from Taj Weekes & Adowa’s fifth album, Love, Herb & Reggae, coming in early 2015.

“Love is a human rights issue,” Weekes states. “That’s the important thing....

Press

News

10/28/2014, Single Release, "Here I Stand For Love", Jatta Records
11/12/201410/28/2014, Taj Weekes: Here I Stand for Love
Release
10/28/2014
Release
10/28/2014
Release Title
Here I Stand For Love
Record Label
Jatta Records
Release Format
Single
Love, love, love. It really is all you need. That’s what Taj Weekes believes. And love doesn’t know boundaries. It’s the heartbeat of life. It doesn’t matter who you love, just as long as you do love. That’s the message behind “Here I Stand” the first single from Taj Weekes & Adowa’s 5th album, Love, Herb & Reggae (early 2015). MORE» More»

Love, love, love. It really is all you need. That’s what Taj Weekes believes. And love doesn’t know boundaries. It’s the heartbeat of life. It doesn’t matter who you love, just as long as you do love. That’s the message behind “Here I Stand” the first single from Taj Weekes & Adowa’s fifth album, Love, Herb & Reggae, coming in early 2015.

“Love is a human rights issue,” Weekes states. “That’s the important thing. We shouldn’t be defining people by their sexuality. Who’s the one to decide what’s ‘normal,’ anyway? What we need is more love in this world, more diversity. The single is me: I’m stating my position and taking my stand.”

Musically, “Here I Stand” comes as a surprise from someone known as a reggae musician. On this outing the reggae influence is very subtle, behind a tango rhythm and blues-y chord changes that frame Weekes’s passionate vocal delivery

“The reggae is still there,” Weekes explains. “It’s just in a different place. The drums and bass add the flavor. We kept it simple to focus attention on the lyrics. We wanted it to be a track everyone would notice.

Born in St. Lucia in the Caribbean and now living in New York, Weeks knows all too well about the fixed way some people can see others.

“At SXSW two years ago a journalist refused to interview me because she said I was ‘a homophobic rasta,’” Weekes recalls.  “She made an assumption and I realized other people make that assumption about all reggae musicians. She did not find out that I do not care who people sleep with. She did not find out that I would rather see two men loving each other than a man beating a woman. You cannot define love so easily for other people.”

A longtime follower of Rastafari, the philosophy of love they put forward has always resonated with him.

“There was a reverence to it,” Weekes remembers. “All I saw and heard was love with them, even when they were being brutalized by the government and the people. They taught me about I and I: the I of the spirit and the I of the physical.”

In his music, Weekes has kept spreading that message of love.

“I love everyone, but for too long I was silent about it. Everyone’s welcome at my table. Who am I to define love? We don’t need to be good for God’s sake, we need to be good for goodness’ sake.”

And that’s the message at the heart of “Here I Stand.” “But what really is the focus/ Shouldn't the talk be all of love/ Now is it wrong to love another/ Cause it's not your kind of love.”

“When I started out I just wanted to put a poem over a riddim,” Weekes says. “Now I’ve found my voice. I want to be true to the art form I’ve chosen, whatever comes from it.”

Love without judgment. It’s a message we need today. Singing it, Taj Weekes makes his stand with pride.

Release
10/28/2014

10/03/2014, Washington, DC, Empire, 10:30 PM
01/01/201510/03/2014, Springfield, VA: Taj Weekes: Bringing Love, Herb and Reggae to US Cities, Autumn 2014:
Event
10/03/2014
Event
10/03/2014
Concert Start Time
10:30 PM
Venue
Empire
Venue St. Address
6355 Rolling Road
Venue City, State
Springfield, VA
Venue Zip
22152
Ticket URL
http://www.ticketfly.com/purchase/event/667251?utm_medium=bks
Ticket Price(s)
$10
Ticket Phone
703-569-5940
One love. It’s much more than a song. For Rastafarians, it’s a creed. And for reggae musician Taj Weekes it’s the way to live his life. He and his band Adowa will bring their inviting, open sound cities around the U.S. this autumn. MORE» More»

(Hint: Rasta Love is Not About Homophobia and Herb is Not About Smoking Marijuana)

One love. It’s much more than a song. For Rastafarians, it’s a creed. And for reggae musician Taj Weekes it’s the way to live his life. He and his band Adowa will bring their inviting, open sound cities around the U.S. this autumn.

Weekes will be performing music from his upcoming album Love Herb Reggae, but for the silver-voiced reggae master from the Caribbean island of St. Lucia, it’s about much more than music. “I've heard a lot about homophobic rastas,’” recalls Taj Weekes. “I realized other people make that assumption about all reggae musicians. But I would rather see two men loving each other than a man beating a woman. That is what One Love means to me. You cannot define love so easily for other people.”

At the same time, Weekes challenges popular conceptions about Herb. “Herb means everything healthy,” says Weekes. “Herb is tea and sage and parsley. Hemp is an herb with no THC. Herb is sustainability and vitality. Herb is not about GMOs or dropping out on drugs. It’s engaging in a healthy life and it tasting good.”

With band members coming from all over the Caribbean, from Jamaica to  Dominica and Barbados to St. Lucia, it’s a pan-Caribbean sound, all of them growing up listening to different native music and bringing their experience to the mix. Music has been a vital part of Weekes’s life since he was a child. Back then, he and his three older brothers would line up at night in their St. Lucia home.

“We’d sing to my parents, the ‘70s music that was on the radio. Then my Dad would sing to us. But I never realized that this was what I was going to do with my life.”

That came later, after his brothers became Rastafarians and Weekes followed in their footsteps, learning about the philosophy.

“There was a reverence to it, talking about love. All I saw and heard was love with them, even when they were being brutalized by the government and the people. They taught me about I and I: the I of the spirit and the I of the body.”

It’s the idea that informed his life ever since. For Weekes that means spreading the message of love in his music.

“In the last 10 years a new breed of reggae has come along that’s moved away from the idea of non-judgmental love. They deride people who love a different gender or person. We’ve been preaching One Love forever, yet there are too many people pointing fingers. One love welcomes and unites. It doesn’t dictate or divide. I love everyone, but for too long I was silent about it. Everyone’s welcome at my table. Who am I to define love? We don’t need to be good for God’s sake, we need to be good for goodness’ sake.”

Love and reggae are two strong pillars for Weekes. The third is herb. But not only the marijuana so often associated with Rastas.

“We’ve gone past that,” Weekes insists. “That’s just a sensational story. When I grew up with them, the Rastas used fresh herbs in everything, in tea, in meals. All kinds of herbs. Hemp, and parsley and sage, thyme… everything that will make you better. I work with a hemp business, Good Seed Hemp. We’re doing something good for the planet – hemp used to be a huge crop. Now people think it’s bad but it’s not. It has so many uses. And with the hemp movement, we are finding sustainable ways to make things that do not destroy the land or our bodies.”

Love, Herb and Reggae. It’s a good way to live. But the message needs to be passed on, and that’s what Weekes does. His children’s charity, They Often Cry Outreach (TOCO), a US-based not-for--profit organization is dedicated to improving the lives of Caribbean children through sports, health and enrichment programs works to raise awareness of the often desperate conditions in the Caribbean. Last November Weekes was named as a UNICEF Champion for Children to advocate for the rights of children and raise awareness of a wide range of issues such as health, education, equal protection against physical and sexual violence. He also talks regularly in schools.

“I speak about how reggae means more than music, but I speak even more about the concept of love. I am my brother’s keeper. It’s my responsibility, everyone’s responsibility, to love others as you love yourself. Sometimes simplicity can be the most complicated way.”

But on stage, music is his message. Weekes sees himself as a singer-songwriter, but knows that his subject matter – the gospel of love and living in harmony – isn’t typical of reggae these days. The conscious lyrics are a reminder of the message reggae used to contain, even if his lush sound is completely Weekes’s own.

“When I started out I just wanted to put a poem over a riddim. Now I’ve found my voice. I want to be true to the art form I’ve chosen, whatever comes from it.”

And there might be a least one surprise during Weekes’s SXSW showcase. He’s considering playing an acoustic version of a song he’s composed for his upcoming album. But whatever happens, it will be an event, because, to him, ‘reggae’ is a verb.

“It’s a doing word. A love word. A helping word. A standing up for your rights word. That’s how I understand reggae and Rastafari. It’s uplifting people so they see things in a different way.”

Event
10/03/2014

10/02/2014, Asheville, NC, The Grey Eagle, 8:00 PM
01/18/201510/02/2014, Asheville, NC: Taj Weekes: Bringing Love, Herb and Reggae to US Cities, Autumn 2014:
Event
10/02/2014
Event
10/02/2014
Doors Open
7:00 PM
Concert Start Time
8:00 PM
Venue
The Grey Eagle
Venue St. Address
185 Clingman Ave
Venue City, State
Asheville, NC
Venue Zip
28801
Ticket Price(s)
$12 adv./$15 door
Ticket Phone
828) 232-5800
Ticket URL
http://www.etix.com/ticket/online/performanceSearch.jsp?performance_id=1829015
One love. It’s much more than a song. For Rastafarians, it’s a creed. And for reggae musician Taj Weekes it’s the way to live his life. He and his band Adowa will bring their inviting, open sound cities around the U.S. this autumn. MORE» More»

(Hint: Rasta Love is Not About Homophobia and Herb is Not About Smoking Marijuana)

One love. It’s much more than a song. For Rastafarians, it’s a creed. And for reggae musician Taj Weekes it’s the way to live his life. He and his band Adowa will bring their inviting, open sound cities around the U.S. this autumn.

Weekes will be performing music from his upcoming album Love Herb Reggae, but for the silver-voiced reggae master from the Caribbean island of St. Lucia, it’s about much more than music. “I've heard a lot about homophobic rastas,’” recalls Taj Weekes. “I realized other people make that assumption about all reggae musicians. But I would rather see two men loving each other than a man beating a woman. That is what One Love means to me. You cannot define love so easily for other people.”

At the same time, Weekes challenges popular conceptions about Herb. “Herb means everything healthy,” says Weekes. “Herb is tea and sage and parsley. Hemp is an herb with no THC. Herb is sustainability and vitality. Herb is not about GMOs or dropping out on drugs. It’s engaging in a healthy life and it tasting good.”

With band members coming from all over the Caribbean, from Jamaica to  Dominica and Barbados to St. Lucia, it’s a pan-Caribbean sound, all of them growing up listening to different native music and bringing their experience to the mix. Music has been a vital part of Weekes’s life since he was a child. Back then, he and his three older brothers would line up at night in their St. Lucia home.

“We’d sing to my parents, the ‘70s music that was on the radio. Then my Dad would sing to us. But I never realized that this was what I was going to do with my life.”

That came later, after his brothers became Rastafarians and Weekes followed in their footsteps, learning about the philosophy.

“There was a reverence to it, talking about love. All I saw and heard was love with them, even when they were being brutalized by the government and the people. They taught me about I and I: the I of the spirit and the I of the body.”

It’s the idea that informed his life ever since. For Weekes that means spreading the message of love in his music.

“In the last 10 years a new breed of reggae has come along that’s moved away from the idea of non-judgmental love. They deride people who love a different gender or person. We’ve been preaching One Love forever, yet there are too many people pointing fingers. One love welcomes and unites. It doesn’t dictate or divide. I love everyone, but for too long I was silent about it. Everyone’s welcome at my table. Who am I to define love? We don’t need to be good for God’s sake, we need to be good for goodness’ sake.”

Love and reggae are two strong pillars for Weekes. The third is herb. But not only the marijuana so often associated with Rastas.

“We’ve gone past that,” Weekes insists. “That’s just a sensational story. When I grew up with them, the Rastas used fresh herbs in everything, in tea, in meals. All kinds of herbs. Hemp, and parsley and sage, thyme… everything that will make you better. I work with a hemp business, Good Seed Hemp. We’re doing something good for the planet – hemp used to be a huge crop. Now people think it’s bad but it’s not. It has so many uses. And with the hemp movement, we are finding sustainable ways to make things that do not destroy the land or our bodies.”

Love, Herb and Reggae. It’s a good way to live. But the message needs to be passed on, and that’s what Weekes does. His children’s charity, They Often Cry Outreach (TOCO), a US-based not-for--profit organization is dedicated to improving the lives of Caribbean children through sports, health and enrichment programs works to raise awareness of the often desperate conditions in the Caribbean. Last November Weekes was named as a UNICEF Champion for Children to advocate for the rights of children and raise awareness of a wide range of issues such as health, education, equal protection against physical and sexual violence. He also talks regularly in schools.

“I speak about how reggae means more than music, but I speak even more about the concept of love. I am my brother’s keeper. It’s my responsibility, everyone’s responsibility, to love others as you love yourself. Sometimes simplicity can be the most complicated way.”

But on stage, music is his message. Weekes sees himself as a singer-songwriter, but knows that his subject matter – the gospel of love and living in harmony – isn’t typical of reggae these days. The conscious lyrics are a reminder of the message reggae used to contain, even if his lush sound is completely Weekes’s own.

“When I started out I just wanted to put a poem over a riddim. Now I’ve found my voice. I want to be true to the art form I’ve chosen, whatever comes from it.”

And there might be a least one surprise during Weekes’s SXSW showcase. He’s considering playing an acoustic version of a song he’s composed for his upcoming album. But whatever happens, it will be an event, because, to him, ‘reggae’ is a verb.

“It’s a doing word. A love word. A helping word. A standing up for your rights word. That’s how I understand reggae and Rastafari. It’s uplifting people so they see things in a different way.”

Event
10/02/2014

10/01/2014, Greenville, SC, Independent Public Alehouse, 9:30 PM
01/03/201510/01/2014, Greenville, SC: Taj Weekes: Bringing Love, Herb and Reggae to US Cities, Autumn 2014:
Event
10/01/2014
Event
10/01/2014
Doors Open
9:00 PM
Concert Start Time
9:30 PM
Venue
Independent Public Alehouse
Venue St. Address
110 Poinsett Hwy.
Venue City, State
Greenville, SC
Venue Zip
29609
Ticket Price(s)
$7
Ticket Phone
864-552-1265
Ticket URL
http://www.reverbnation.com/c./s1/8593984
One love. It’s much more than a song. For Rastafarians, it’s a creed. And for reggae musician Taj Weekes it’s the way to live his life. He and his band Adowa will bring their inviting, open sound cities around the U.S. this autumn. MORE» More»

(Hint: Rasta Love is Not About Homophobia and Herb is Not About Smoking Marijuana)

One love. It’s much more than a song. For Rastafarians, it’s a creed. And for reggae musician Taj Weekes it’s the way to live his life. He and his band Adowa will bring their inviting, open sound cities around the U.S. this autumn.

Weekes will be performing music from his upcoming album Love Herb Reggae, but for the silver-voiced reggae master from the Caribbean island of St. Lucia, it’s about much more than music. “I've heard a lot about homophobic rastas,’” recalls Taj Weekes. “I realized other people make that assumption about all reggae musicians. But I would rather see two men loving each other than a man beating a woman. That is what One Love means to me. You cannot define love so easily for other people.”

At the same time, Weekes challenges popular conceptions about Herb. “Herb means everything healthy,” says Weekes. “Herb is tea and sage and parsley. Hemp is an herb with no THC. Herb is sustainability and vitality. Herb is not about GMOs or dropping out on drugs. It’s engaging in a healthy life and it tasting good.”

With band members coming from all over the Caribbean, from Jamaica to  Dominica and Barbados to St. Lucia, it’s a pan-Caribbean sound, all of them growing up listening to different native music and bringing their experience to the mix. Music has been a vital part of Weekes’s life since he was a child. Back then, he and his three older brothers would line up at night in their St. Lucia home.

“We’d sing to my parents, the ‘70s music that was on the radio. Then my Dad would sing to us. But I never realized that this was what I was going to do with my life.”

That came later, after his brothers became Rastafarians and Weekes followed in their footsteps, learning about the philosophy.

“There was a reverence to it, talking about love. All I saw and heard was love with them, even when they were being brutalized by the government and the people. They taught me about I and I: the I of the spirit and the I of the body.”

It’s the idea that informed his life ever since. For Weekes that means spreading the message of love in his music.

“In the last 10 years a new breed of reggae has come along that’s moved away from the idea of non-judgmental love. They deride people who love a different gender or person. We’ve been preaching One Love forever, yet there are too many people pointing fingers. One love welcomes and unites. It doesn’t dictate or divide. I love everyone, but for too long I was silent about it. Everyone’s welcome at my table. Who am I to define love? We don’t need to be good for God’s sake, we need to be good for goodness’ sake.”

Love and reggae are two strong pillars for Weekes. The third is herb. But not only the marijuana so often associated with Rastas.

“We’ve gone past that,” Weekes insists. “That’s just a sensational story. When I grew up with them, the Rastas used fresh herbs in everything, in tea, in meals. All kinds of herbs. Hemp, and parsley and sage, thyme… everything that will make you better. I work with a hemp business, Good Seed Hemp. We’re doing something good for the planet – hemp used to be a huge crop. Now people think it’s bad but it’s not. It has so many uses. And with the hemp movement, we are finding sustainable ways to make things that do not destroy the land or our bodies.”

Love, Herb and Reggae. It’s a good way to live. But the message needs to be passed on, and that’s what Weekes does. His children’s charity, They Often Cry Outreach (TOCO), a US-based not-for--profit organization is dedicated to improving the lives of Caribbean children through sports, health and enrichment programs works to raise awareness of the often desperate conditions in the Caribbean. Last November Weekes was named as a UNICEF Champion for Children to advocate for the rights of children and raise awareness of a wide range of issues such as health, education, equal protection against physical and sexual violence. He also talks regularly in schools.

“I speak about how reggae means more than music, but I speak even more about the concept of love. I am my brother’s keeper. It’s my responsibility, everyone’s responsibility, to love others as you love yourself. Sometimes simplicity can be the most complicated way.”

But on stage, music is his message. Weekes sees himself as a singer-songwriter, but knows that his subject matter – the gospel of love and living in harmony – isn’t typical of reggae these days. The conscious lyrics are a reminder of the message reggae used to contain, even if his lush sound is completely Weekes’s own.

“When I started out I just wanted to put a poem over a riddim. Now I’ve found my voice. I want to be true to the art form I’ve chosen, whatever comes from it.”

And there might be a least one surprise during Weekes’s SXSW showcase. He’s considering playing an acoustic version of a song he’s composed for his upcoming album. But whatever happens, it will be an event, because, to him, ‘reggae’ is a verb.

“It’s a doing word. A love word. A helping word. A standing up for your rights word. That’s how I understand reggae and Rastafari. It’s uplifting people so they see things in a different way.”

Event
10/01/2014

09/30/2014, Atlanta, GA, Atlanta Room, Smith's Olde Bar, 9:00 PM
01/08/201509/30/2014, Atlanta, GA: Taj Weekes: Bringing Love, Herb and Reggae to US Cities, Autumn 2014:
Event
09/30/2014
Event
09/30/2014
Doors Open
8:00 PM
Ticket Price(s)
$12 adv./$15 door
Ticket Phone
404.875.1522
Venue
Atlanta Room, Smith's Olde Bar
Venue St. Address
1578 Piedmont Ave. NE
Venue City, State
Atlanta, GA
Venue Zip
30324
Ticket URL
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=5312125
Concert Start Time
9:00 PM
One love. It’s much more than a song. For Rastafarians, it’s a creed. And for reggae musician Taj Weekes it’s the way to live his life. He and his band Adowa will bring their inviting, open sound cities around the U.S. this autumn. MORE» More»

(Hint: Rasta Love is Not About Homophobia and Herb is Not About Smoking Marijuana)

One love. It’s much more than a song. For Rastafarians, it’s a creed. And for reggae musician Taj Weekes it’s the way to live his life. He and his band Adowa will bring their inviting, open sound cities around the U.S. this autumn.

Weekes will be performing music from his upcoming album Love Herb Reggae, but for the silver-voiced reggae master from the Caribbean island of St. Lucia, it’s about much more than music. “I've heard a lot about homophobic rastas,’” recalls Taj Weekes. “I realized other people make that assumption about all reggae musicians. But I would rather see two men loving each other than a man beating a woman. That is what One Love means to me. You cannot define love so easily for other people.”

At the same time, Weekes challenges popular conceptions about Herb. “Herb means everything healthy,” says Weekes. “Herb is tea and sage and parsley. Hemp is an herb with no THC. Herb is sustainability and vitality. Herb is not about GMOs or dropping out on drugs. It’s engaging in a healthy life and it tasting good.”

With band members coming from all over the Caribbean, from Jamaica to  Dominica and Barbados to St. Lucia, it’s a pan-Caribbean sound, all of them growing up listening to different native music and bringing their experience to the mix. Music has been a vital part of Weekes’s life since he was a child. Back then, he and his three older brothers would line up at night in their St. Lucia home.

“We’d sing to my parents, the ‘70s music that was on the radio. Then my Dad would sing to us. But I never realized that this was what I was going to do with my life.”

That came later, after his brothers became Rastafarians and Weekes followed in their footsteps, learning about the philosophy.

“There was a reverence to it, talking about love. All I saw and heard was love with them, even when they were being brutalized by the government and the people. They taught me about I and I: the I of the spirit and the I of the body.”

It’s the idea that informed his life ever since. For Weekes that means spreading the message of love in his music.

“In the last 10 years a new breed of reggae has come along that’s moved away from the idea of non-judgmental love. They deride people who love a different gender or person. We’ve been preaching One Love forever, yet there are too many people pointing fingers. One love welcomes and unites. It doesn’t dictate or divide. I love everyone, but for too long I was silent about it. Everyone’s welcome at my table. Who am I to define love? We don’t need to be good for God’s sake, we need to be good for goodness’ sake.”

Love and reggae are two strong pillars for Weekes. The third is herb. But not only the marijuana so often associated with Rastas.

“We’ve gone past that,” Weekes insists. “That’s just a sensational story. When I grew up with them, the Rastas used fresh herbs in everything, in tea, in meals. All kinds of herbs. Hemp, and parsley and sage, thyme… everything that will make you better. I work with a hemp business, Good Seed Hemp. We’re doing something good for the planet – hemp used to be a huge crop. Now people think it’s bad but it’s not. It has so many uses. And with the hemp movement, we are finding sustainable ways to make things that do not destroy the land or our bodies.”

Love, Herb and Reggae. It’s a good way to live. But the message needs to be passed on, and that’s what Weekes does. His children’s charity, They Often Cry Outreach (TOCO), a US-based not-for--profit organization is dedicated to improving the lives of Caribbean children through sports, health and enrichment programs works to raise awareness of the often desperate conditions in the Caribbean. Last November Weekes was named as a UNICEF Champion for Children to advocate for the rights of children and raise awareness of a wide range of issues such as health, education, equal protection against physical and sexual violence. He also talks regularly in schools.

“I speak about how reggae means more than music, but I speak even more about the concept of love. I am my brother’s keeper. It’s my responsibility, everyone’s responsibility, to love others as you love yourself. Sometimes simplicity can be the most complicated way.”

But on stage, music is his message. Weekes sees himself as a singer-songwriter, but knows that his subject matter – the gospel of love and living in harmony – isn’t typical of reggae these days. The conscious lyrics are a reminder of the message reggae used to contain, even if his lush sound is completely Weekes’s own.

“When I started out I just wanted to put a poem over a riddim. Now I’ve found my voice. I want to be true to the art form I’ve chosen, whatever comes from it.”

And there might be a least one surprise during Weekes’s SXSW showcase. He’s considering playing an acoustic version of a song he’s composed for his upcoming album. But whatever happens, it will be an event, because, to him, ‘reggae’ is a verb.

“It’s a doing word. A love word. A helping word. A standing up for your rights word. That’s how I understand reggae and Rastafari. It’s uplifting people so they see things in a different way.”

Event
09/30/2014